A note from the editor
Conference presenters are encouraged to submit their work to Convergences. SEACS’s peer-reviewed journal, Convergences, is currently accepting submissions until August 15.
Use the form below or email your papers to us for peer-review at worleypm (at) appstate.edu. Include “Convergences” in the subject line.
Paul M. Worley
Editorial Board
- Ann González, UNCC
- Javier García León, UNCC • Faculty Bio • ORCID
- Melissa Birkhofer, ASU
- Paloma Fernández Sánchez, UNCC
- Robert Reimer, UNCC
Current Issue
Check Out Our Current Issue
Convergences 3.1
3.1 • 2023
A MYSTERY MEMOIR: UNCOVERING THE SECRETS OF SCHATTEN, A POST-WII CAMP HODOLEIN MEMOIR
ANA-ISABEL ALIAGA-BUCHENAU
UNC-CHARLOTTE
JULES GEANEY-MOORE
UNC-CHARLOTTE
JOHN SULLIVAN
INDEPENDENT SCHOLAR
Archives
Past Issues of Convergences
Convergences 2.1
2.1 • 2022 • Download all
TOWARD A FEMINIST LATINA MODE OF LITERARY ANALYSIS ON JULIA ALVAREZ’S HOW THE GARCIA GIRLS LOST THEIR ACCENTS
MELISSA D. BIRKHOFER
APPALACHIAN STATE UNIVERSITY
C&C AND FANDOM SQUEE: CONSIDERING FANFICTION READER REVIEWS ON THE DATABASE ARCHIVE OF OUR OWN AS A MODEL FOR TEACHING POSITIVE CLASSROOM WRITING FEEDBACK
Jordan Frederick
University of North Carolina at Charlotte
SEEING THE CHIASM: PLACE THEORY AND ECOPHENOMENOLOGY
Grant McMillan
University of North Dakota
FRANZ BOAS’S AND JOHN ALDEN MASON’S ORAL FOLKLORE PROJECT IN PUERTO RICO (1914-1915): JIBARO FOLK TALES AND LESSONS
Rafael Ocasio
Agnes Scott College
“PORTALS TO OTHER WORLDS”: NONLINEAR TIME AND GENERATIONAL IDENTITY IN LEANNE HOWE’S MIKO KINGS
Zak Sheppard
University of North Carolina at Charlotte
“WE, TOO”: THE IDENTITY FORMATION OF CARIBBEAN WOMEN
Tanya Jo Woodward
Gardner Webb University
Convergences 1.1
1.1 • 2021 • Download all
“STILL HIDDEN”: ACKNOWLEDGING THE INFLUENCES OF THE JUSTES’ HISTORIC HETEROTOPIA
Emma Rose Cowen
University of North Carolina Wilmington
“THE SCENE MOSCO”: CREATING EASTERN EUROPE FOR EARLY MODERN ENGLISH AUDIENCES IN JOHN FLETCHER’S THE LOYAL SUBJECT (1618)
Katja Pilhuj
The Citadel
“LIFE, UH, FINDS A WAY”: THE ARTIST’S VOICE IN THE OVERSTORY AS HUMANITY’S KEY TO SURVIVAL IN A WORLD THAT BELONGS TO THE TREES AND NATURE’S PRESENCE IN APOCALYPTIC HORROR
Diana New
Western Carolina University